#Lady macbeth movie plus#

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#Lady macbeth movie plus#

On the plus side, there won’t be much cause for crooning in their house, no power ballads in the shower or anything like that. Unfortunately for her, it’s her husband, Alexander (Paul Hilton). Pugh plays Katherine, who is first seen reacting with surprise to a booming singing voice at her wedding ceremony. But it features certain behaviour (murder) that would feel more at home, and not so riskily close to comedy, in the hothouse of opera, rather than on and around the stark moors of low-budget British cinema. The extraordinary disc-faced actor Florence Pugh has her hair scraped back into plaits and buns – all the put-upon teenage brides are wearing them this season – and the film feels scraped back, too. The new film version, Lady Macbeth, is set in 1865 (the year the novel was published) and feels resolutely anti-operatic in flavour, with its austere visuals and no-nonsense camerawork: static medium shots for dramatic effect or irony, hand-held wobbles to accompany special moments of impetuousness. Two years after its premiere in 1934, it had a terrible review, allegedly by Stalin himself, in Pravda. Lady Macbeth of the Mtsensk District, Nikolai Leskov’s novel about a bored, oppressed and bloodthirsty young woman, was adapted for the opera by Shoskatovich.